Publications - Books and Chapters
'Gavin Bryars' Music for Dance', in The Music of Gavin Bryars, Ed. D. Wordsworth, Kahn and Averill (2023).
‘Horatiu Radulescu - Playing the Unplayable’, in Music and Practice ‘Expositions and Developments’, Volume 7 December 2020, Research Catalogue https://www.researchcatalogue.net/view/1071756/1071757
'Extended Techniques for Clarinet' in Extended Instrumental Techniques, translated into Portuguese in: Martingo, A., Telles, A. eds.(2019) Musica Instrumentalis: Exterimentação e téchnicas não convencionais séculos XX e XXI. Edições Húmus: Ribeirão, Portugal.
'Boulez, Cage, Stockhausen', in The Cambridge Encyclopedia of Historical Performance in Music, Eds., Lawson, Stowell, Cambridge University Press (2018).
‘Reflections on consonance and dissonance: Christopher Fox's early works for clarinet' in The Music of Christopher Fox, Routledge (2016).
'The twentieth century and beyond', in The Cambridge History of Musical Performance, Cambridge University Press (2012).
'Reminder: a recording is not a performance', in The Cambridge Companion to Recorded Music, Ed., Clarke, Cook et al. Cambridge University Press (2009).
The Versatile Clarinet, Routledge, New York, Editor, and two chapters (2005).
‘Performance and Xenakis’s Echange’ in Changing Platforms: 30 Years of the Contemporary Music Network, Unknown Public/Arts Council of England (2001).
‘Die Darmstädter Interpretations-Studios’, in Von Kranichstein zur Gegenwart, Daco Verlag, Darmstadt (1996).
'Aspects of Contemporary Technique’, in The Cambridge Companion to the Clarinet, Ed., Colin Lawson, Cambridge University Press, (1995).
Publications - recent articles and conference papers
'Playing the Unplayable: Horatiu Radulescu's ‘The Inner Time’, Music and Practice Research Catalogue (forthcoming, summer 2020).
‘Friedrich Wildgans: clarinettist, composer and political activist’, paper for the IAGRM (Institute of Austrian and German Music Research) conference, September 2020.
‘Performing the unplayable’, Performance Studies Network Conference, Norwegian Academy of Music, Oslo 5-8 July (2018).
'Inventing an ensemble identity', with Heyde, Finnissy, Performance Studies Network Conference, Bath Spa University 17-17 July (2016).
'Contemporary performance practice and tradition', Music Performance Research, Vol 5, 96-104 (2012).
‘Contemporary Performance Practice and Tradition’, AHRC Research Centre for Musical Performance as Creative Practice, Performance Studies Network International Conference Cambridge University 14-17 July (2011).